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Playing Age: 18-27

Height: 5'5"

Eyes: Blue

Special Skills: Physical Theatre, Immersive Theatre, Devising, Writing, Rep Theatre, BASSC in Rapier and Dagger, BASSC in Unarmed Combat.

Highlights: Cameron's stage career has included performing at two National Trust stately homes in Orlando: The Queer Element, acting at the Edinburgh Fringe while covered in clay for a radical version of Shakespeare’s Titus Andronicus and portraying Private Davies in the real-life WW2 drama The Long Bones at London’s White Bear Theatre.     

Despite his youth Cameron has over twenty years experience in live performance. Beginning his studies at The Hammond in Chester, Cameron then graduated to Fourth Monkey on their Two Year Rep programme, earning credits in nine public productions. Cameron has great comedic skills, appearing in the four star-rated physical comedy Clean Mean Eating Machine (Brighton Fringe) and went to Italy to train in Commedia Dell’arte under Maestro Antonio Fava. By contrast he has also acted in such hard-hitting plays as Sheakespeare's gory Titus Andronicus (Edinburgh Fringe / Camden Fringe) and the real-life WW2 drama The Long Bones at London’s White Bear Theatre. Cameron has also co-devised work for site-specific theatre companies, performing in Ruckus for immersive theatre pioneers Shunt Theatre and at two National Trust stately homes in Orlando: The Queer Element. As a performer Cameron has a keen interest in contemporary theatre, physical/visual performance, and new writing - with his first play The Sea of Trees staged under the mentorship of Lisa Goldman when he was just 17. Cameron is particularly skilled in ensemble work, multi-rolling and physical theatre - with experience in many physical performance disciplines (Mime, Butoh, Grotowski etc.) - and excels in playing quirky, vulnerable and menacing characters. On screen he has played lead roles in four short films and is eager to gain more experience in front of the camera.